The dolls were goin' on road trips ~ workshops to see, artists to commune with and transformations to emerge through.
They needed a voice; the Travel Logs became a means of communicating their daunting experiences.
The Formationeers, too, had moments to share and procedural information to pass along.

  Click on The Essence Doll and each rotation to read their travel logs.
Anya  2nd   3rd

Oma Granny  2nd   3rd

Anaj  2nd   3rd

Jett Setter  2nd  3rd

Nameless  2nd   3rd

Grandpa Joe  2nd  3rd

3rd rotation to Steve

Oma Granny…what to say about Oma Granny!
The first time I saw her, I thought "Oh My! What am I going to do to this?" I looked her over for a while, then sat her down on a sofa…for about 2 weeks.

I spent those 2 weeks thinking " Oh my, oh my, oh my. What have I gotten myself into? OK, I made one doll, or, essence doll. She was made entirely of wood. My medium. I sent her on. The second doll was made of copper tubing. Having worked in various jobs over the years, I was familiar with copper tubing and how to work with it. I made my contributions to him and sent him on.

I knew it was bound to happen…a fabric doll.

Oma Granny shows her years. She has a wrinkled face, an arthritic body, and bad hair. She stared at me for 2 weeks, never blinking. I avoided her as much as I could, but, she was constantly in the back of my mind when I was at work, and when I was doing other things. "Help me!...help me!" she seemed to say.

I had read her accompanying diary, to get her background. I found that she wasn't happy with her hair, so I decided that I would give her new hair.

I wanted her to retain her "older" look, but, I felt that her personality was like some people her age that I know…kind of an old Hippie from the '60's. I searched for what I thought would be a good material to use for her hair, and came up with a funky platinum-colored yarn like stuff. Removal of her old hair was not fun. Her hair was firmly held on with hot-melt glue in some areas, and barely affixed in other areas. I also had to remove her glasses, and give her head a preliminary coat of "gesso" so she could be painted a flesh tone.

I decided to leave the face painting to a future artist, who enjoyed that type of thing. I would concentrate on giving her a full head of platinum frizzy hair.

I'm fairly happy with the results. All the hair is the same length, but another artist is welcome to give her a more modern cut if she thinks it is needed.

I felt like a fish out of water on this one!
-Steve McMillen
July 2005



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